In an unexpected event, actor Andrew Lin met with LoveHKFilm.com staff to accept the LoveHKFilm Award for "Most Underrated Performance", earned for his underappreciated work in the 2006 mockumentary The Heavenly Kings. The film was also among LoveHKFilm.com's "Top Ten Films of the Year", announced on February 22, 2007, as part of the 2006 LoveHKFilm Awards.

The "Most Underrated Performance" Award is given in recognition of a good performance by an actor that was not noticed or appreciated by the media, award-giving bodies, or the general audience. In The Heavenly Kings, Andrew Lin played himself, but not in an exaggerated or expected manner. Lin was sympathetic and surprisingly likeable as a seemingly humble, yet quietly vain actor, who uses his friends as a way to boost a flagging acting career. The role brought an extra layer to the film's entertainment industry satire, painting artists as not just unfortunate victims, but also conniving opportunists.

Andrew Lin graciously met with LoveHKFilm on March 18th, 2007, at the Mandarin Oriental Hotel in Central, Hong Kong, where we shared a cup of coffee and talked about his career, The Heavenly Kings, and the Hong Kong entertainment scene in general.

Lin first gained notice in the 1998 Ching Siu-Tung actioner The Blacksheep Affairs, playing the villain opposite Zhao Wen-Zhou and Shu Qi. The role launched a promising career, but unfortunately, the late nineties also saw a crisis for the Hong Kong film industry, with declining attendance, piracy, and reduced investment preventing actors and filmmakers from producing the variety and output of films that drove the industry to international prominence in the late eighties and early nineties. As a result, many actors and filmmakers were marginalized, never getting the opportunities they might have received if the industry were more robust.

One could say Andrew Lin's career fell into that category. Though Lin displayed plenty of range in smaller films like Julian Lee's The Accident or Derek Chiu's Love Au Zen, he was frequently cast as the bad guy in larger, more commercially-driven productions. In the biggest films with the most exposure, Lin usually had to be the baddie opposing the top-billed star, be it Aaron Kwok (2000 A.D.), Louis Koo (GOD.COM), or fellow Alive member Daniel Wu (Naked Weapon). To general audiences, Andrew Lin was usually the heavy.

Lin was able to control his destiny a bit for The Heavenly Kings. Lin worked with friends and fellow actors Daniel Wu (who also directed), Terence Yin, and Conroy Chan on the project, and the four got to play themselves -- with the added twist that they could play with their own image. "We didn't know what to do with my character at first," Lin recalls. "Terence's personality is a bit stronger, he's a party animal, and the press always writes about him that way. So Daniel tried to use that and exaggerate it. But for my character -- my life in the business has been sort of subtle, so we tried to paint a contrast to the types of characters I played before, I've played a lot of villains and baddies, so I wanted to play the reverse."

Lin did play the reverse. His character, "Andrew Lin", is portrayed as a shrewd, calculating, yet somewhat pathetic actor who entreats his buddies to start a boy band simply to save his failing career. "I wanted to play a small man, someone who's selfish, who's very aware of what he's getting out of things. You know, just something different, something totally different than what I've played before."

Lin succeeded, though people came to confuse Andrew Lin with "Andrew Lin". "People think a lot of parts [of The Heavenly Kings] are real. For example, the part about my father -- most people see that as real. But they never really came up and asked me about it. The way I said it in the film, it sounded like my father had passed away already. When I tell them that the scene isn't real, the reaction is, 'Oh, really?!?'" Lin adds, "My father is alive, by the way."

The Heavenly Kings gave Lin and his fellow Alive members a way to critique Hong Kong's famously gossip-fixated media. For Lin, who hails from Taiwan, the Hong Kong media was a bit of a culture shock. "Hong Kong and Taiwan are very different. I started out in Taiwan. In Taiwan, the press works differently than in Hong Kong."

"For example, it's like today [this meeting]. Your management company would write an article about you and send it to the press, and if the reporters like the subject, they'll print it tomorrow. But in Hong Kong, they really don't want to print something that serious. If you caught me going out with this other actress, it would be on the front page about this big." Lin indicates a six-inch space. "But our article [about this meeting] would be about this big." Lin indicates a space of about two centimeters."So that's something I've learned in Hong Kong: the media is very much different from Taiwan."

Lin sighs, "But the worst thing is that [the media in] Taiwan is starting to learn from Hong Kong."

Lin still has an affection for Hong Kong movies, but he admits that he doesn't watch so many anymore. "Since I'm working as an actor in Hong Kong, I can pick up the quality of the film just by looking at the production. It's really easy if you're in the business. There's value in commercial film, but I'm kind of disappointed in it now. It's so much about the business more than the art itself."

"Before when we watched Hong Kong Films, they was commercial, but they were still pretty good. There was still some art value to them. Now it's all about the business side, the box office side. Now even the genre or the story has to appeal to China. Everything's so formulated."

Reduced output and financial considerations have hurt some of Lin's chances at roles. "The worst part is they use the same actors. The investors want someone who can get box office numbers. It doesn't matter if you're a good actor or not. Look at Lau Ching Wan. He's not acting anymore, I don't know what's going on. He does one film a year. He's working less and less."

"But as an actor, when I get a job, I get paid, so I can't complain."

Lin's experience as an actor -- and the frustrations that come with it - - was one of the driving forces behind The Heavenly Kings. "The actor is very passive," Lin relates. "We have to wait for a job. Unless it's something like this [The Heavenly Kings]. We invested in it so we could make a film to express how we felt."

The Heavenly Kings certainly did express what Lin and his friends felt, delivering a satirical and sometimes scathing look at the Hong Kong music industry and the ridiculous media attention that comes with it. The film struck a chord with a small audience, but the general public didn't turn the film into anything resembling a bonafide box office hit. Lin states that this was expected. "The film wasn't for the general audience. The film wasn't very commercial, so the box office wasn't that great. I don't think that most of the Hong Kong audience have seen the film yet."

Lin is adamantly positive about the experience, however, placing art firmly above commerce with The Heavenly Kings. "We made this film for ourselves. We've kept our feelings in for so long, and we wanted to express it by making a film. When we started out, we never thought about making any money out of it. We're not in debt. We made some money, but not that much. That wasn't the primary goal, to make money."

The creation of Alive, and the critical success of The Heavenly Kings did create some new opportunities, however. "Since we made this film, our production company is still there," Lin says. "We're thinking about doing more films later."

"Actually, we [the four members of Alive] shot a few short films for a commercial. We're spokespeople for a new drink, and we got to shoot four 5-minute short films. We came up with four different stories for the four of us."

Like with The Heavenly Kings, Lin and his crew did things their own way. "Instead of shooting a commercial about me holding a drink, we wanted to shoot something different. We have a slogan, 'what's your color?' The film is about what is my true color. What do I want to do with my life?"

Lin promises that the answer -- which will be unveiled when the commercials premiere later in 2007 -- will surprise and entertain people. From all indications, Lin's short film promises to channel the same irreverent, shoot-from-the-hip filmmaking verve that made The Heavenly Kings one of 2006's most enjoyable films. Given the last decade's dearth of creativity, Hong Kong Cinema could use a few more movies like this.

The "Andrew Lin" in The Heavenly Kings may be a selfish guy looking only for his own gain, but the real Andrew Lin is not a small man at all. Recently, Alive performed at the Hong Kong Film Awards, using their performance slot as a way to announce the "death" of Alive, as well as promote local artists, including bands Hardpack and Audio Traffic. The boys of Alive also just updated their website, www.alivenotdead.com, transforming it from a promotional site about Alive into "an online artistic community for artists and fans to share their personal expressions of inner creativity and passion." Alive may be dead, but their bohemian dream lives on.

Originally published: April 25th, 2007

连凯外型优"十四女英豪"终获改邪归正 

中华日报记者戴淑芳／台北报导 

出道以来，又酷又壮的连凯多饰演亦正亦邪的角色，正巧台视「十四女英豪之女儿当自强」遍寻不著男主角「杨安」，监制李国立蓦然回首，决定让他改邪归正，反让连凯有点不习惯。 

连凯原本在「十」剧中饰演大反派贝蒙多，因为古装造型十分英挺帅气，再加上他敬业精神十足，又有深厚的武术底子，让监制李国立眼睛为之一亮，当场决定换角。原本，李国立还试探了连凯：「想演贝蒙多还是杨安？」没想到连凯一句「由你们安排就好。」让李国立更加确定连凯适合演出正直木纳的「杨安」。 

或许是男人不坏女人不爱，外型有点坏坏的连凯，也习惯了因为反派演多了，常常受到女性及男性影迷的主动示爱骚扰。现在一下子要在台湾电视剧中演个彻头彻尾的超级好男人，连凯坦承，自己都有点不习惯。 

连凯也不讳言，改演「杨安」压力倍增，只因为戏份太多，想到接下来没日没夜的拍摄，就觉得头很痛。他说，自己从不计较角色排名，只看重角色有没有得发挥，他相信只要自己尽心演出，演配角一样可以很抢眼。其实，连凯私下的个性相当老实靦腆，沉默寡言地有点自闭倾向，但工作态度却非常认真，一到剧组之後，每天早上八点起床健身、慢跑，主动向武术指导学习身段，顶著大太阳练到汗流浃背，认真的程度人人都称赞。连凯从小学武术和自由搏击，是武术指导眼中基础最深厚的演员，他笑说：「原本贝蒙多舞刀，注重腿部功夫，现在杨安耍剑，还要学太极拳，全部都要重新学。」因为「杨安」是全剧人物中武功最高强的一个，连凯的好身手也让他在李国立的心中加分。

这哥们儿实在是太低调太老实了,有时候又超级鬼马可爱的,特别是帮Daniel W他们在一起的时候,鬼鬼的,他还有一只很牛的猫咪叫馒头,真受不了他了怎么会那么迷人哪~希望他得了这个Most Underrated Performance奖能助他事业更加有成,希望能碰到更好的剧本和导演,喔,还有更好的造型师,对对对!造型师好重要的,遇到暴力造型师故意弄丑你一定要记得反抗!不要太好说话了,内地的很多古装剧造型都好吓人,少接一点这种戏啦,多多演时装剧~加油Andrew

“ESFP”(外向 实感 情感 知觉)

外向，友善，包容。热爱生活、人类和物质上的享受。喜欢与别人共事。在工作上，讲究常识和实用性，注意现实的情况，使工作富趣味性。富灵活性、即兴性，自然不做作，易接受新朋友和适应新环境。与别人一起学习 新技能可以达到最佳的学习效果。

ESFP型的人乐意与人相处，有一种真正的生活热情。他们顽皮活泼，通过真诚和玩笑使别人感到事情更加有趣。 ESFP型的人脾气随和、适应性强，热情友好和慷慨大方。他们擅长交际，常常是别人的“注意中心”。他们热 情而乐于合作地参加各种活动和节目，而且通常立刻能应对几种活动。 ESFP型的人是现实的观察者，他们按照事物的本身去对待并接受它们。他们往往信任自己能够听到、闻到、触摸和看到的事物，而不是依赖于理论上的 解释。因为他们喜欢具体的事实，对于细节有很好的记忆力，所以他们能从亲身的经历中学到最好的东西。共同的感觉给予他们与人和物相处的实际能力。他们喜欢收集信息，从中观察可能自然出现的解决方法。 ESFP型的 人对于自我和他人都能容忍和接受，往往不会试图把自己的愿望强加于他人。ESFP型的人通融和有同情心，通常许多人都真心地喜欢他们。他们能够让别人采纳他们的建议，所以他们很擅于帮助冲突的各方重归于好。他们 寻求他人的陪伴，是很好的交淡者。他们乐于帮助旁人，偏好以真实有形的方式给予协助。ESFP型的人天真率直，很有魅力和说服力。他们喜欢意料不到的事情，喜欢寻找给他人带来愉快和意外惊喜的方法。

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